{"id":66,"date":"2023-08-15T13:55:54","date_gmt":"2023-08-15T13:55:54","guid":{"rendered":"https:\/\/captainheyamola.com\/?page_id=66"},"modified":"2026-03-13T14:23:17","modified_gmt":"2026-03-13T14:23:17","slug":"biyografi","status":"publish","type":"page","link":"https:\/\/captainheyamola.com\/index.php\/biyografi\/","title":{"rendered":"Biyografi"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"66\" class=\"elementor elementor-66\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a943596 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"a943596\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-952b740\" data-id=\"952b740\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3986efc elementor-widget elementor-widget-heading\" data-id=\"3986efc\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 26-05-2024 *\/\n.elementor-heading-title{padding:0;margin:0;line-height:1}.elementor-widget-heading .elementor-heading-title[class*=elementor-size-]>a{color:inherit;font-size:inherit;line-height:inherit}.elementor-widget-heading .elementor-heading-title.elementor-size-small{font-size:15px}.elementor-widget-heading .elementor-heading-title.elementor-size-medium{font-size:19px}.elementor-widget-heading .elementor-heading-title.elementor-size-large{font-size:29px}.elementor-widget-heading .elementor-heading-title.elementor-size-xl{font-size:39px}.elementor-widget-heading .elementor-heading-title.elementor-size-xxl{font-size:59px}<\/style><h2 class=\"elementor-heading-title elementor-size-default\">Kaptan Heyamola (\u00d6zcan Onur)<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7c775b8 elementor-widget elementor-widget-text-editor\" data-id=\"7c775b8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 26-05-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<p>Ressam, heykeltra\u015f ve denizci.<br \/>1939 do\u011fumlu. Bir \u00f6\u011fretmen ailesi \u00e7ocu\u011fu.<br \/>Resim ve heykel \u00e7al\u0131\u015fmalar\u0131na \u00e7ok k\u00fc\u00e7\u00fckken ba\u015flad\u0131. Ond\u00f6rt-onbe\u015f ya\u015flar\u0131ndan bu yana<br \/>felsefe, psikoloji ve pedagoji konular\u0131na yak\u0131n ilgi duymakta. Lise ikinci s\u0131n\u0131fta okuldan ayr\u0131ld\u0131.\u00a0<br \/>\u0130\u00e7inde bulundu\u011fu ko\u015fullarda ba\u015fka se\u00e7ene\u011fi bulunmad\u0131\u011f\u0131 i\u00e7in 1957-62 y\u0131llar\u0131nda \u0130stanbul G\u00fczel Sanatlar Akademisi&#8217;ne devam etti. 1967 y\u0131l\u0131nda \u0130.D.G.S. Akademisi&#8217;nde a\u00e7\u0131lan bir devlet bursu s\u0131nav\u0131na -hi\u00e7bir neden g\u00f6sterilmeden- kabul edilmeyince sanatsal \u00e7abalar\u0131n\u0131 durdurdu, denizci olmaya karar verdi. 1969 senesinde Bodrum&#8217;da yap\u0131m\u0131na ba\u015flad\u0131\u011f\u0131 <b>Heyamola <\/b>isimli yat\u0131, T\u00fcrkiye&#8217;de deniz turizminde kullan\u0131lan ilk gemilerden biri oldu. \u00dclkemizde betonarme tekne yap\u0131m\u0131na da \u00f6nc\u00fcl\u00fck eden sanat\u00e7\u0131 1975&#8217;te Bodrum&#8217;da <b>&#8220;At\u00f6lye Heyamola&#8221;&#8216;<\/b>y\u0131 in\u015fa etti. Burada \u00f6nce, bir\u00e7ok sanat\u00e7\u0131 ve\u00a0\u00f6\u011frencinin birlikte \u00e7al\u0131\u015fabilece\u011fi bir ortam haz\u0131rlad\u0131, daha sonra ilerde vakfa d\u00f6n\u00fc\u015fecek bir &#8220;Sanat ve K\u00fclt\u00fcr Derne\u011fi&#8221; kurma giri\u015fiminde bulundu. En b\u00fcy\u00fck ama\u00e7lar\u0131ndan biri Bodrum ve \u00e7evresini antik \u00e7a\u011f\u0131n en geli\u015fmi\u015f sitelerinden olan Halikarnasus&#8217;a yara\u015f\u0131r bi\u00e7imde d\u00fcnya \u00e7ap\u0131nda bir k\u00fclt\u00fcr ve sanat merkezi haline getirmekti. Ancak bu \u00e7abalar\u0131 ne y\u00f6re halk\u0131ndan ne de ilgili resmi kurumlardan hi\u00e7bir destek g\u00f6rmedi.\u00a0<span style=\"color: var( --e-global-color-text );\">En \u00e7ok ilgilendi\u011fi konular, Sibernetik, Biyonik ve Genetik bilimleri ile uzay ara\u015ft\u0131rmalar\u0131d\u0131r.\u00a0<\/span><span style=\"color: var( --e-global-color-text );\">Son y\u0131llardaki \u00e7al\u0131\u015fmalar\u0131n\u0131 yaz aylar\u0131nda Heyamola-3 isimli yat\u0131nda, k\u0131\u015f\u0131n da Paris&#8217;te s\u00fcrd\u00fcren sanat\u00e7\u0131n\u0131n bu y\u0131lki u\u011fra\u015flar\u0131 aras\u0131nda resim ve heykel yap\u0131m\u0131nda lazer \u0131\u015f\u0131nlar\u0131n\u0131n kullan\u0131m\u0131 da yer al\u0131yor.\u00a0<\/span><span style=\"color: var( --e-global-color-text );\">\u00d6n\u00fcm\u00fczdeki y\u0131llarda A.B.D. ve Japonya&#8217;ya da gitmeyi tasarlayan Kaptan HEYAMOLA&#8217;n\u0131n ileriye d\u00f6n\u00fck isteklerinden biri, bir uzay kentinde de ya\u015famak.<b>\u00a0<\/b><\/span><b><i>(1986 y\u0131l\u0131nda \u0130stanbul Destek Sanat Galerisi&#8217;nde a\u00e7t\u0131\u011f\u0131 serginin davetiyesinden al\u0131nt\u0131d\u0131r)<\/i><\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-f8ad303\" data-id=\"f8ad303\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-97ef0e3 elementor-widget elementor-widget-image\" data-id=\"97ef0e3\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 26-05-2024 *\/\n.elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=\".svg\"]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block}<\/style>\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?fit=683%2C1024&amp;ssl=1\" class=\"attachment-large size-large wp-image-115\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?w=1707&amp;ssl=1 1707w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=200%2C300&amp;ssl=1 200w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=683%2C1024&amp;ssl=1 683w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=768%2C1152&amp;ssl=1 768w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=1024%2C1536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=1365%2C2048&amp;ssl=1 1365w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=1280%2C1920&amp;ssl=1 1280w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=400%2C600&amp;ssl=1 400w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/DSC02160-scaled.jpg?resize=600%2C900&amp;ssl=1 600w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-427b902 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"427b902\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2e7f3e8\" data-id=\"2e7f3e8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-bd69dcb elementor-widget elementor-widget-spacer\" data-id=\"bd69dcb\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 26-05-2024 *\/\n.elementor-column .elementor-spacer-inner{height:var(--spacer-size)}.e-con{--container-widget-width:100%}.e-con-inner>.elementor-widget-spacer,.e-con>.elementor-widget-spacer{width:var(--container-widget-width,var(--spacer-size));--align-self:var(--container-widget-align-self,initial);--flex-shrink:0}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container,.e-con>.elementor-widget-spacer>.elementor-widget-container{height:100%;width:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer{height:100%}.e-con-inner>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner,.e-con>.elementor-widget-spacer>.elementor-widget-container>.elementor-spacer>.elementor-spacer-inner{height:var(--container-widget-height,var(--spacer-size))}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty,.e-con>.elementor-widget-spacer.elementor-widget-empty{position:relative;min-height:22px;min-width:22px}.e-con-inner>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon,.e-con>.elementor-widget-spacer.elementor-widget-empty .elementor-widget-empty-icon{position:absolute;top:0;bottom:0;left:0;right:0;margin:auto;padding:0;width:22px;height:22px}<\/style>\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7b7cacc elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"7b7cacc\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-1e4f99f\" data-id=\"1e4f99f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a25ffa1 elementor-widget elementor-widget-image\" data-id=\"a25ffa1\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1024\" height=\"704\" src=\"https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?fit=1024%2C704&amp;ssl=1\" class=\"attachment-large size-large wp-image-128\" alt=\"\" srcset=\"https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?w=2265&amp;ssl=1 2265w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=300%2C206&amp;ssl=1 300w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=1024%2C704&amp;ssl=1 1024w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=768%2C528&amp;ssl=1 768w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=1536%2C1056&amp;ssl=1 1536w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=2048%2C1408&amp;ssl=1 2048w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=1280%2C880&amp;ssl=1 1280w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=873%2C600&amp;ssl=1 873w, https:\/\/i0.wp.com\/captainheyamola.com\/wp-content\/uploads\/2023\/08\/13-scaled-e1692253343373.jpg?resize=600%2C412&amp;ssl=1 600w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-66f84ca\" data-id=\"66f84ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e2b8dee elementor-widget elementor-widget-text-editor\" data-id=\"e2b8dee\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>\u00a0<\/p><p>D\u00fcnya adl\u0131 gezegende devrimci bir \u00e7a\u011f ya\u015fan\u0131yor. Geni\u015flik ve derinli\u011fine, ekonomik, politik, sosyal, k\u00fclt\u00fcrel&#8230; Her y\u00f6nde, her alanda.<\/p><p>Elbette g\u00f6rsel sanatlar da bu \u00f6zellikten pay\u0131n\u0131 alacakt\u0131r.<\/p><p>\u00c7a\u011fda\u015f bilimler ve teknolojinin sa\u011flad\u0131\u011f\u0131 baz\u0131 olanaklar resim sanat\u0131na yeni bir boyut getirmekte. K\u0131sa zamanda b\u00fct\u00fcn yery\u00fcz\u00fcn\u00fc ku\u015fatacak yepyeni bir ak\u0131m do\u011fmak \u00fczere.<\/p><p><b>&#8220;Kaptan HEYAMOLA&#8221;<\/b><\/p><p><b>Paris&#8217;te 1985 y\u0131l\u0131nda &#8220;Computer DE GRAFE&#8221;&#8216;i resim yapmak amac\u0131yla kullanan d\u00fcnyadaki ilk ve tek ressam. T\u00fcrkiye&#8217;de oldu\u011fu gibi Avrupa&#8217;da da bu ak\u0131ma \u00f6nc\u00fcl\u00fck eden devrimci ustalardan\u00a0biri.<\/b><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6ada094 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"6ada094\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6609127\" data-id=\"6609127\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7e2f781 elementor-widget elementor-widget-text-editor\" data-id=\"7e2f781\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><\/p>\n<h2 class=\"elementor-heading-title elementor-size-default elementor-inline-editing pen\" style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: var( --e-global-typography-primary-font-weight ); font-family: var( --e-global-typography-primary-font-family ), Sans-serif;\" data-elementor-setting-key=\"title\" data-pen-placeholder=\"Buraya Yaz\u0131n...\">Kaptan Heyamola (\u00d6zcan Onur)<\/h2>\n<div>&nbsp;<\/div>\n<p>Sanat\u00e7\u0131, ressam, heykeltra\u015f ve denizci \u00d6zcan ONUR, 1939&#8217;da Samsun\u2019da do\u011fmu\u015f.<\/p>\n<p>1956-1962 y\u0131llar\u0131 aras\u0131nda 6 y\u0131l \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019nde e\u011fitim g\u00f6rm\u00fc\u015f ve resim b\u00f6l\u00fcm\u00fcnden pekiyi derece ile mezun olmu\u015f.<\/p>\n<p>\u0130lk resim sergisi, 1965 y\u0131l\u0131nda kendi okulu olan Akademi salonlar\u0131nda a\u00e7\u0131l\u0131r. \u00c7ok ilgi g\u00f6ren bu eyleminde okul m\u00fcd\u00fcr\u00fc As\u0131m MUTLU taraf\u0131ndan zaman\u0131n \u0130stanbul Valisi Niyazi AKI\u2019da \u00f6zel olarak bu sergiye davet edilir. Bu ziyareti s\u0131ras\u0131nda M\u00fcd\u00fcr Bey, Vali Bey ve Sanat\u00e7\u0131 aras\u0131nda ge\u00e7en sohbette, bu gen\u00e7 adama yurtd\u0131\u015f\u0131nda kendisini daha \u00e7ok geli\u015ftirmesi i\u00e7in mutlaka bir burs temin edilmesi de konu\u015fulur. Ancak bu istek ger\u00e7ekle\u015fememi\u015f. Vali, sergide yer alan Fatih Sultan Mehmet ve Atat\u00fcrk portlerini \u0130stanbul Vilayeti ad\u0131na sat\u0131n alm\u0131\u015f, okul y\u00f6netimi de \u0130stanbul Resim ve Heykel M\u00fczesi\u2019ne konulmak \u00fczere bir tablosunu sanat\u00e7\u0131dan istemi\u015f.<\/p>\n<p>1965 y\u0131l\u0131nda sanat\u00e7\u0131, yerle\u015fmek \u00fczere Bodrum\u2019a gitmi\u015f ve \u00e7al\u0131\u015fmalar\u0131n\u0131 orada s\u00fcrd\u00fcrm\u00fc\u015f. 1967&#8217;de uzun y\u0131llardan beri ilk defa devlet, gen\u00e7 sanat\u00e7\u0131lara Paris,&nbsp;Berlin, Roma gibi yabanc\u0131 k\u00fclt\u00fcr merkezlerinde e\u011fitimlerine katk\u0131da bulunmas\u0131 amac\u0131yla, 4 y\u0131ll\u0131k bir burs verilmesine karar vermi\u015f ve bu vesileyle \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019nde de bir s\u0131nav a\u00e7\u0131lm\u0131\u015f. Sanat\u00e7\u0131 \u00d6zcan ONUR da bu s\u0131nava girmek istemi\u015f fakat -hi\u00e7bir neden g\u00f6sterilmeden, anayasal haklar\u0131 dahi hi\u00e7e say\u0131larak- s\u0131nava kabul edilmemi\u015f. Bunun \u00fczerine sanat\u00e7\u0131, ayn\u0131 y\u0131l Ankara\u2019da a\u00e7t\u0131\u011f\u0131 2&#8217;inci resim sergisindeki b\u00fct\u00fcn yap\u0131tlar\u0131n\u0131, emek\u00e7ilerin \u00f6rg\u00fct\u00fc olarak bildi\u011fi T\u00fcrkiye \u0130\u015f\u00e7i Partisi\u2019ne ba\u011f\u0131\u015flam\u0131\u015f, f\u0131r\u00e7alar\u0131n\u0131 k\u0131rm\u0131\u015f, s\u00fcnger avc\u0131l\u0131\u011f\u0131 yapmak \u00fczere Afrika\u2019ya gitmi\u015f ve denizcili\u011fe ba\u015flam\u0131\u015f.<\/p>\n<p>1970, 1976 ve 1983&#8217;te Bodrum\u2019da \u201cHeyamola\u201d isimli 3 adet teknesini bizzat kendisi yapm\u0131\u015f ve 25 y\u0131l denizci olarak ya\u015fam\u0131\u015f.<\/p>\n<p>Ayr\u0131ca 1975 y\u0131l\u0131nda in\u015fa etti\u011fi \u201cAt\u00f6lye Heyamola\u201d adl\u0131 at\u00f6lyesinde faaliyetlerini s\u00fcrd\u00fcrm\u00fc\u015f ve bu at\u00f6lye y\u0131llarca y\u00f6renin k\u00fclt\u00fcr merkezi olmu\u015f.<\/p>\n<p>Neyzen Tevfik\u2019in do\u011fumunun 100&#8217;\u00fcnc\u00fc y\u0131l d\u00f6n\u00fcm\u00fcnde ona ithafen bir resim ve heykel sergisi a\u00e7m\u0131\u015f, at\u00f6lyesinde e\u011fitimler vermi\u015f. Bu mekan\u0131n bir m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi i\u00e7in yapt\u0131\u011f\u0131 \u00e7abalarda olmu\u015f ama hi\u00e7bir sonu\u00e7 alamam\u0131\u015f.<\/p>\n<p>1980 y\u0131l\u0131nda \u00f6\u011frencilerin ve sanat\u00e7\u0131lar\u0131n birlikte \u00e7al\u0131\u015fabilece\u011fi, seminerler, konferanslar ve uluslararas\u0131 sanat \u015fenlikleri d\u00fczenleyebilecekleri bir platform \u00f6rg\u00fctler. Aralar\u0131nda M\u00fcmtaz SOYSAL, \u0130lhan BERK, Hilmi YAVUZ, Vedat T\u00dcRKAL\u0130, \u015e\u00fckran ARTUNGAL, G\u00fclriz SURUR\u0130, Filiz OFLUO\u011eLU, F\u00fcreyya, Mina URGAN, \u00dcmit SERDARO\u011eLU gibi 90&#8217;a yak\u0131n ayd\u0131n ve sanat\u00e7\u0131 isimlerle birlikte bir dernek ve vak\u0131f kurma giri\u015fimi ile eylemlerde bulunur. Ama\u00e7 Bodrum\u2019un d\u00fcnya \u00e7ap\u0131nda bir k\u00fclt\u00fcr ve sanat merkezi olmas\u0131n\u0131 sa\u011flamakt\u0131r.&nbsp;(M\u00fcmtaz SOYSAL, 1 A\u011fustos 1980 tarihli Milliyet Gazetesindeki k\u00f6\u015fesinde bu olu\u015fumdan bahseder.)<\/p>\n<p>1970 y\u0131l\u0131ndan bu yana, sibernetik, biyonik, genetik bilimleri ve uzay ara\u015ft\u0131rmalar\u0131yla \u00e7ok tutkulu bir \u015fekilde ilgilenir. T\u00dcB\u0130TAK\u2019\u0131n \u00e7\u0131kard\u0131\u011f\u0131 Bilim ve Teknik Dergisi\u2019nin kapa\u011f\u0131nda g\u00f6rd\u00fc\u011f\u00fc bilgisayarla \u00e7izilmi\u015f bir desen ilgisini \u00e7eker. 14 y\u0131l bu dergiyi hep yan\u0131nda ta\u015f\u0131r. (Bilim ve Teknik Dergisi \/ Say\u0131: 35 \/ 1970 \u201cKomp\u00fcter ve Sanat\u201d)<\/p>\n<p>Bir manifesto ile \u201cElektropent\u00fcr\u201d kavram\u0131n\u0131 ortaya koyarak, \u201c\u00dcretimde, Y\u00f6netimde ve E\u011fitimde her ge\u00e7en g\u00fcn biraz daha komp\u00fcterize olan bir d\u00fcnyada resim sanat\u0131n\u0131n da bu b\u00fcy\u00fck potansiyelden yararlanmas\u0131 ka\u00e7\u0131n\u0131lmazd\u0131r\u201d der.&nbsp;(Bak\u0131\u015f, Bilgisayar Teknoloji Dergisi, 1986, Say\u0131: 3)<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Estetik ama\u00e7lar\u0131n \u00f6tesinde 3 hedefinin daha oldu\u011funu belirterek bunlar\u0131 \u015f\u00f6yle s\u0131ralar:<\/p>\n<ul style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">\n<li>Komp\u00fcteri geleneksel ara\u00e7 ve gere\u00e7ler kadar rahatl\u0131kla ve tam bir \u00f6zg\u00fcrl\u00fck i\u00e7inde kullanabilmek.<\/li>\n<li>\u201cPent\u00fcr\u201d sanat\u0131nda yap\u0131lan \u00fcretimi end\u00fcstriyalize etmek.<\/li>\n<li>Pent\u00fcr yarat\u0131c\u0131l\u0131\u011f\u0131 ile sa\u011flanan estetik de\u011ferleri demokratize etmek.(Yani de\u011ferlerin varl\u0131kl\u0131 z\u00fcmreler d\u0131\u015f\u0131nda kalan insanlar taraf\u0131ndan da kolayl\u0131kla elde edilmesini ger\u00e7ekle\u015ftirmek.)<\/li>\n<\/ul>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Sanat\u00e7\u0131 bu bildirisinde ayr\u0131ca bir \u00f6ng\u00f6r\u00fcde de bulunur ve \u015f\u00f6yle der: \u201cYak\u0131n bir gelecekte resim sanat\u0131n\u0131n geli\u015fimi, ona edebiyat ve m\u00fcziktekine benzer bir boyut verecektir. D\u00fcnyan\u0131n en \u00fcnl\u00fc ressamlar\u0131n\u0131n elektronik yap\u0131tlar\u0131, ger\u00e7ek de\u011ferlerinden ( \u00f6zg\u00fcnl\u00fcklerinden) hi\u00e7bir \u015fey yitirmeden b\u00fct\u00fcn d\u00fcnyaya yay\u0131lacaklard\u0131r.\u201d Bunu; herkese ekmek, herkese su, herkese ila\u00e7, herkese kitap gibi \u201cHerkese resim\u201d slogan\u0131yla dillendirir.<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">\u201cAsl\u0131nda b\u00fct\u00fcn yarat\u0131c\u0131 sanat\u00e7\u0131lar gibi ressamlar da,&nbsp;\u00e7ok \u00f6zel durumlar d\u0131\u015f\u0131nda, yap\u0131tlar\u0131n\u0131 tek bir ki\u015fi i\u00e7in olu\u015fturmazlar. Yine b\u00fct\u00fcn sanat\u00e7\u0131lar gibi, ger\u00e7ek ressama y\u00f6n veren en g\u00fc\u00e7l\u00fc etkenler, bir nesnenin, bir olay\u0131n derinli\u011finde yatan ger\u00e7ekleri yakalamak heyecan\u0131 yan\u0131nda, onu bir denge ve uyum i\u00e7inde \u00f6zg\u00fcn bir bi\u00e7imde dile getirmek ve ona en yayg\u0131n \u015fekilde toplumsal bir boyut kazand\u0131rmakt\u0131r. \u015eiirin de, senfoninin de, roman\u0131n da, dans\u0131n vesairenin de ortak noktas\u0131 budur. \u0130nsanlar Mozart\u2019\u0131n bir kon\u00e7ertosuna, Hayyam\u2019\u0131n bir d\u00f6rtl\u00fc\u011f\u00fcne tek ba\u015f\u0131na sahip olmay\u0131 istemeyecek kadar ak\u0131ll\u0131d\u0131rlar. Fakat konu bir ressam\u0131n tablosu olunca, durum de\u011fi\u015fir. \u00d6zellikle son bir ka\u00e7 asr\u0131n kal\u0131nt\u0131s\u0131, bireyci g\u00f6r\u00fc\u015f ve m\u00fclkiyet anlay\u0131\u015f\u0131 birden beliriverir. \u201cYaln\u0131z benim\u201d , \u201cBana ait\u201d gibi bir yanl\u0131\u015fa d\u00fc\u015f\u00fcl\u00fcr.\u201d Sen kimsin? Bu hakk\u0131 nereden buluyorsun? sorusunun yan\u0131t\u0131 genellikle iki noktada d\u00fc\u011f\u00fcmlenir. Bunlar\u0131n birincisi \u201csat\u0131n alma\u201d, ikincisi de yap\u0131t\u0131n \u201ctek olma\u201d \u00f6zelli\u011fidir. Bu ikili, zaman i\u00e7inde ekonomik ve sosyal nedenlerle \u00e7e\u015fitli \u00e7arp\u0131kl\u0131klara ve yozla\u015fmalara yol a\u00e7ar. Olay\u0131 \u00f6z\u00fcnden yaralar. Oysa bir sanat\u00e7\u0131n\u0131n y\u0131llarca s\u00fcren bir emekle meydana getirdi\u011fi yap\u0131t\u0131n\u0131, kimli\u011fini hi\u00e7bir \u015fekilde tan\u0131mad\u0131\u011f\u0131 herhangi birine bir anda para kar\u015f\u0131l\u0131\u011f\u0131 satmas\u0131 da, onu tek olarak yapmas\u0131 da arzusu d\u0131\u015f\u0131nda bir tak\u0131m zorunluluklardan \u00f6t\u00fcr\u00fcd\u00fcr. Hatta bu durum \u00e7o\u011funlukla onun i\u00e7in \u00fcz\u00fcnt\u00fc kayna\u011f\u0131 olur. Ge\u00e7mi\u015f d\u00f6nemlerde bu k\u0131s\u0131r d\u00f6ng\u00fcy\u00fc k\u0131rmay\u0131 deneyen bir \u00e7ok sanat\u00e7\u0131 \u00e7\u0131km\u0131\u015ft\u0131r. Grav\u00fcr, litografi, serigrafi \u00e7al\u0131\u015fmalar\u0131 bu \u00f6rneklerden baz\u0131lar\u0131d\u0131r. Fakat rengin yap\u0131s\u0131, yaz\u0131 ve sesten daha karma\u015f\u0131k oldu\u011fu i\u00e7in bu teknikler edebiyat ve m\u00fczi\u011fe ko\u015fut bi\u00e7imde toplumsal boyut kazanmas\u0131n\u0131 yeterince sa\u011flayamazlar. \u201cElektropent\u00fcr\u201d olay\u0131 soruna sadece teknik \u00e7\u00f6z\u00fcm getirmekle kalmayacak, toplumla ressam aras\u0131ndaki organik ba\u011f\u0131n kopuklu\u011funu da giderecektir.&nbsp;(Cumhuriyet Gazetesi, Bilim ve Teknik Eki, 1986)<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Uygulamal\u0131 \u00e7al\u0131\u015fmalar\u0131n\u0131 1984 y\u0131l\u0131nda Paris\u2019te yeni bir bilgisayar \u00fcretmekte olan bir Frans\u0131z \u015eirketiyle i\u015fbirli\u011fi yaparak geli\u015ftirir. Hatta Frans\u0131z \u015eirket, geli\u015ftirdi\u011fi \u201cComputer de GRAFE\u201d adl\u0131 bilgisayar\u0131 \u00d6zcan ONUR\u2019un yap\u0131tlar\u0131yla tan\u0131t\u0131r. Sanat\u00e7\u0131, bilgisayar, ekran, disketlerle olu\u015fturdu\u011fu yap\u0131tlar\u0131n\u0131 ilk kez Mart 1986 y\u0131l\u0131nda 2&#8217;inci Enternasyonel Parigraph Fuar\u0131nda, 40 g\u00fcn sonra da \u0130stanbul\u2019da Ma\u00e7ka Destek Sanat Galerisi\u2019nde ve 1987 y\u0131l\u0131nda yine Paris\u2019te \u201cGrand Palais\u201d de d\u00fczenlenen \u201cSalon Des Independants\u201d ta sergiler. O zamana kadar bilgisayarlar sadece grafik ama\u00e7l\u0131 kullan\u0131l\u0131rken, ilk kez resim ama\u00e7l\u0131 da kullan\u0131lmaya ba\u015flar.&nbsp;(Bilgisayar Dergisi, 1988, Say\u0131:85)<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">D\u00fcnya\u2019da \u201cDigital Art\u201d \u0131n yeni konu\u015fulmaya ba\u015fland\u0131\u011f\u0131 bir d\u00f6nemde, internet hen\u00fcz ke\u015ffedilmemi\u015f, disketler hen\u00fcz bilinmezken Avrupa\u2019da bile dijital sanattan yeni yeni s\u00f6z edilmeye ba\u015flanm\u0131\u015fken, bir T\u00fcrk sanat\u00e7\u0131s\u0131n\u0131n bu alandaki uygulamalar\u0131, \u00fcretimi ve ilk avangart sergisini Paris\u2019te a\u00e7mas\u0131 \u00e7ok ilgin\u00e7 kar\u015f\u0131lan\u0131r.<\/p>\n<p><\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Ara\u015ft\u0131rd\u0131\u011f\u0131mda, d\u00fcnyada dijital sanat\u0131n \u00f6rneklerinin ancak 2000&#8217;li y\u0131llarda \u00e7o\u011falmaya ba\u015flad\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz.<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">\u201cT\u00fcrkiye\u2019de sanat ve teknoloji \u00e7evrelerini dijital sanatla tan\u0131\u015ft\u0131ran ilk ki\u015fi \u00d6zcan ONUR olmu\u015ftur.\u201d&nbsp;(G\u00fcltekin \u00c7\u0130ZGEN, \u201cSanat K\u00f6pr\u00fcs\u00fc S\u0131rat K\u00f6pr\u00fcs\u00fc\u201d 2007 Arkeoloji ve Sanat Yay\u0131nlar\u0131, Digital Sanat, s\/68)<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Sanat\u00e7\u0131 1993 y\u0131l\u0131ndan sonra maddi olanaks\u0131zl\u0131klardan \u00f6t\u00fcr\u00fc \u00e7al\u0131\u015fmalar\u0131n\u0131 farkl\u0131 bir boyuta ta\u015f\u0131r. \u201cSanat her t\u00fcrl\u00fc malzemeyle yap\u0131l\u0131r. D\u00fc\u015f\u00fcncelerim ve duygular\u0131m\u0131 elbette pek \u00e7ok yolla aktarabilirim. As\u0131l olan ama\u00e7 ile arac\u0131 kar\u0131\u015ft\u0131rmamakt\u0131r. G\u00fcn\u00fcm\u00fczde vah\u015fi kapitalizm insana insanl\u0131\u011f\u0131n\u0131 unutturdu. Sanat\u0131n niteli\u011fi, felsefesi pi\u00e7 edilmi\u015ftir. Sanat bir meta de\u011fildir. Sanat\u0131n kayna\u011f\u0131 d\u0131\u015far\u0131da de\u011fil, ki\u015finin i\u00e7 d\u00fcnyas\u0131ndad\u0131r, beyninin k\u0131vr\u0131mlar\u0131ndad\u0131r. Sanat yapan\u0131n beyninin bir yans\u0131mas\u0131d\u0131r. Ayn\u0131 zamanda \u00e7a\u011f\u0131n\u0131n ve toplumunun \u00fcr\u00fcn\u00fcd\u00fcr, ruhudur. Bir imaj bin s\u00f6zc\u00fc\u011fe bedeldir. Resim sanat\u0131 s\u00f6zc\u00fcklerle anlat\u0131lmay\u0131 gerektirmez. Kendisi bir dildir ve bu dil t\u00fcm insan t\u00fcr\u00fcn\u00fcn ortak dilidir.\u201d der. \u201cZarfa de\u011fil mazrufa bak\u201d en \u00e7ok kulland\u0131\u011f\u0131 s\u00f6zc\u00fcklerden biridir.<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Sanat\u00e7\u0131 bug\u00fcn de \u00e7al\u0131\u015fmalar\u0131na b\u00fct\u00fcn yo\u011funlu\u011fu ile devam etmekte; bir taraftan d\u00fcnyadaki sosyal, siyasal ger\u00e7eklerle, bilimsel ve teknolojik geli\u015fmeleri dikkatle izlemektedir.<\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">Daha ilk gen\u00e7lik y\u0131llar\u0131ndan beri klasik e\u011fitimle yetinmeyen, soran, sorgulayan, hayal eden, yorulmak bilmeyen bir \u00f6\u011frenme \u00e7abas\u0131yla ara\u015ft\u0131ran, i\u00e7inde bulundu\u011fu topluma \u00f6fkeli bir mizahla bakan s\u0131ra d\u0131\u015f\u0131 bir insan ve \u00f6zg\u00fcn bir sanat\u00e7\u0131&#8230;<\/p><p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\"><span style=\"font-family: Roboto, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; color: var( --e-global-color-text );\">Bodrum, uzun y\u0131llar \u00f6nce \u00f6ng\u00f6rd\u00fc\u011f\u00fc gibi toplumuyla, \u00e7evresiyle, topra\u011f\u0131yla ne yaz\u0131k ki onun ifadesiyle dejenere olmu\u015ftur.&nbsp;<\/span><span style=\"color: var( --e-global-color-text ); font-family: Roboto, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400;\">\u015eu an 58 y\u0131ld\u0131r ya\u015fad\u0131\u011f\u0131 emek ve m\u00fccadele verdi\u011fi Bodrum\u2019dan art\u0131k gitme vaktinin geldi\u011fini d\u00fc\u015f\u00fcn\u00fcyor. Daha huzur i\u00e7inde ya\u015fayabilece\u011fi, \u00e7al\u0131\u015fabilece\u011fi sakin bir sahil beldesi olan Dat\u00e7a\u2019ya ta\u015f\u0131nmaya haz\u0131rlan\u0131yor.&nbsp;<\/span><span style=\"color: var( --e-global-color-text ); font-family: Roboto, sans-serif; font-size: 15px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400;\">Bu g\u00fcne kadar hi\u00e7 satmadan biriktirdi\u011fi, 70 y\u0131l\u0131n eme\u011fi 500 civar\u0131nda resim ve heykeliyle beraber.<\/span><\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">\n<\/p><p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\">\n<\/p><p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\"><strong>Aycan \u00c7ET\u0130N<\/strong><\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\"><strong>Belgeselci-Yap\u0131mc\u0131<\/strong><\/p>\n<p style=\"font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; font-size: 15px; font-family: Roboto, sans-serif;\"><strong><span style=\"color: var( --e-global-color-text );\">(2023)<\/span><\/strong><\/p>\n<p><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-1d53528 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"1d53528\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0a475a2\" data-id=\"0a475a2\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8d90ec3 elementor-widget elementor-widget-spacer\" data-id=\"8d90ec3\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ca06110 elementor-widget elementor-widget-shortcode\" data-id=\"ca06110\" data-element_type=\"widget\" data-widget_type=\"shortcode.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-shortcode\"><iframe width=\"560\" height=\"560\" src=\"https:\/\/www.youtube.com\/embed\/GayhC7fCZAg?si=rGInIKUKomzY6bSz\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-63d1599 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"63d1599\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-93b570b\" data-id=\"93b570b\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-352a192 elementor-widget elementor-widget-video\" data-id=\"352a192\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;hosted&quot;,&quot;controls&quot;:&quot;yes&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.21.0 - 26-05-2024 *\/\n.elementor-widget-video .elementor-widget-container{overflow:hidden;transform:translateZ(0)}.elementor-widget-video .elementor-wrapper{aspect-ratio:var(--video-aspect-ratio)}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{height:100%;width:100%;display:flex;border:none;background-color:#000}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-wrapper{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-wrapper iframe,.elementor-widget-video .elementor-wrapper video{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .elementor-open-inline .elementor-custom-embed-image-overlay{position:absolute;top:0;right:0;bottom:0;left:0;background-size:cover;background-position:50%}.elementor-widget-video .elementor-custom-embed-image-overlay{cursor:pointer;text-align:center}.elementor-widget-video .elementor-custom-embed-image-overlay:hover .elementor-custom-embed-play i{opacity:1}.elementor-widget-video .elementor-custom-embed-image-overlay img{display:block;width:100%;aspect-ratio:var(--video-aspect-ratio);-o-object-fit:cover;object-fit:cover;-o-object-position:center center;object-position:center center}@supports not (aspect-ratio:1\/1){.elementor-widget-video .elementor-custom-embed-image-overlay{position:relative;overflow:hidden;height:0;padding-bottom:calc(100% \/ var(--video-aspect-ratio))}.elementor-widget-video .elementor-custom-embed-image-overlay img{position:absolute;top:0;right:0;bottom:0;left:0}}.elementor-widget-video .e-hosted-video .elementor-video{-o-object-fit:cover;object-fit:cover}.e-con-inner>.elementor-widget-video,.e-con>.elementor-widget-video{width:var(--container-widget-width);--flex-grow:var(--container-widget-flex-grow)}<\/style>\t\t<div class=\"e-hosted-video elementor-wrapper elementor-open-inline\">\n\t\t\t\t\t<video class=\"elementor-video\" src=\"https:\/\/videos.files.wordpress.com\/hha8QZmb\/instagram.mp4\" controls=\"\" preload=\"metadata\" controlsList=\"nodownload\"><\/video>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Kaptan Heyamola (\u00d6zcan Onur) Ressam, heykeltra\u015f ve denizci.1939 do\u011fumlu. Bir \u00f6\u011fretmen ailesi \u00e7ocu\u011fu.Resim ve heykel \u00e7al\u0131\u015fmalar\u0131na \u00e7ok k\u00fc\u00e7\u00fckken ba\u015flad\u0131. Ond\u00f6rt-onbe\u015f ya\u015flar\u0131ndan bu yanafelsefe, psikoloji ve pedagoji konular\u0131na yak\u0131n ilgi duymakta. Lise ikinci s\u0131n\u0131fta okuldan ayr\u0131ld\u0131.\u00a0\u0130\u00e7inde bulundu\u011fu ko\u015fullarda ba\u015fka se\u00e7ene\u011fi bulunmad\u0131\u011f\u0131 i\u00e7in 1957-62 y\u0131llar\u0131nda \u0130stanbul G\u00fczel Sanatlar Akademisi&#8217;ne devam etti. 1967 y\u0131l\u0131nda \u0130.D.G.S. Akademisi&#8217;nde a\u00e7\u0131lan bir devlet bursu s\u0131nav\u0131na -hi\u00e7bir neden g\u00f6sterilmeden- kabul edilmeyince sanatsal \u00e7abalar\u0131n\u0131 durdurdu, denizci olmaya karar verdi. 1969 senesinde Bodrum&#8217;da yap\u0131m\u0131na ba\u015flad\u0131\u011f\u0131 Heyamola isimli yat\u0131, T\u00fcrkiye&#8217;de deniz turizminde kullan\u0131lan ilk gemilerden biri oldu. \u00dclkemizde betonarme tekne yap\u0131m\u0131na da \u00f6nc\u00fcl\u00fck eden sanat\u00e7\u0131 1975&#8217;te Bodrum&#8217;da &#8220;At\u00f6lye Heyamola&#8221;&#8216;y\u0131 in\u015fa etti. Burada \u00f6nce, bir\u00e7ok sanat\u00e7\u0131 ve\u00a0\u00f6\u011frencinin birlikte \u00e7al\u0131\u015fabilece\u011fi bir ortam haz\u0131rlad\u0131, daha sonra ilerde vakfa d\u00f6n\u00fc\u015fecek bir &#8220;Sanat ve K\u00fclt\u00fcr Derne\u011fi&#8221; kurma giri\u015fiminde bulundu. En b\u00fcy\u00fck ama\u00e7lar\u0131ndan biri Bodrum ve \u00e7evresini antik \u00e7a\u011f\u0131n en geli\u015fmi\u015f sitelerinden olan Halikarnasus&#8217;a yara\u015f\u0131r bi\u00e7imde d\u00fcnya \u00e7ap\u0131nda bir k\u00fclt\u00fcr ve sanat merkezi haline getirmekti. Ancak bu \u00e7abalar\u0131 ne y\u00f6re halk\u0131ndan ne de ilgili resmi kurumlardan hi\u00e7bir destek g\u00f6rmedi.\u00a0En \u00e7ok ilgilendi\u011fi konular, Sibernetik, Biyonik ve Genetik bilimleri ile uzay ara\u015ft\u0131rmalar\u0131d\u0131r.\u00a0Son y\u0131llardaki \u00e7al\u0131\u015fmalar\u0131n\u0131 yaz aylar\u0131nda Heyamola-3 isimli yat\u0131nda, k\u0131\u015f\u0131n da Paris&#8217;te s\u00fcrd\u00fcren sanat\u00e7\u0131n\u0131n bu y\u0131lki u\u011fra\u015flar\u0131 aras\u0131nda resim ve heykel yap\u0131m\u0131nda lazer \u0131\u015f\u0131nlar\u0131n\u0131n kullan\u0131m\u0131 da yer al\u0131yor.\u00a0\u00d6n\u00fcm\u00fczdeki y\u0131llarda A.B.D. ve Japonya&#8217;ya da gitmeyi tasarlayan Kaptan HEYAMOLA&#8217;n\u0131n ileriye d\u00f6n\u00fck isteklerinden biri, bir uzay kentinde de ya\u015famak.\u00a0(1986 y\u0131l\u0131nda \u0130stanbul Destek Sanat Galerisi&#8217;nde a\u00e7t\u0131\u011f\u0131 serginin davetiyesinden al\u0131nt\u0131d\u0131r) \u00a0 D\u00fcnya adl\u0131 gezegende devrimci bir \u00e7a\u011f ya\u015fan\u0131yor. Geni\u015flik ve derinli\u011fine, ekonomik, politik, sosyal, k\u00fclt\u00fcrel&#8230; Her y\u00f6nde, her alanda. Elbette g\u00f6rsel sanatlar da bu \u00f6zellikten pay\u0131n\u0131 alacakt\u0131r. \u00c7a\u011fda\u015f bilimler ve teknolojinin sa\u011flad\u0131\u011f\u0131 baz\u0131 olanaklar resim sanat\u0131na yeni bir boyut getirmekte. K\u0131sa zamanda b\u00fct\u00fcn yery\u00fcz\u00fcn\u00fc ku\u015fatacak yepyeni bir ak\u0131m do\u011fmak \u00fczere. &#8220;Kaptan HEYAMOLA&#8221; Paris&#8217;te 1985 y\u0131l\u0131nda &#8220;Computer DE GRAFE&#8221;&#8216;i resim yapmak amac\u0131yla kullanan d\u00fcnyadaki ilk ve tek ressam. T\u00fcrkiye&#8217;de oldu\u011fu gibi Avrupa&#8217;da da bu ak\u0131ma \u00f6nc\u00fcl\u00fck eden devrimci ustalardan\u00a0biri. Kaptan Heyamola (\u00d6zcan Onur) &nbsp; Sanat\u00e7\u0131, ressam, heykeltra\u015f ve denizci \u00d6zcan ONUR, 1939&#8217;da Samsun\u2019da do\u011fmu\u015f. 1956-1962 y\u0131llar\u0131 aras\u0131nda 6 y\u0131l \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019nde e\u011fitim g\u00f6rm\u00fc\u015f ve resim b\u00f6l\u00fcm\u00fcnden pekiyi derece ile mezun olmu\u015f. \u0130lk resim sergisi, 1965 y\u0131l\u0131nda kendi okulu olan Akademi salonlar\u0131nda a\u00e7\u0131l\u0131r. \u00c7ok ilgi g\u00f6ren bu eyleminde okul m\u00fcd\u00fcr\u00fc As\u0131m MUTLU taraf\u0131ndan zaman\u0131n \u0130stanbul Valisi Niyazi AKI\u2019da \u00f6zel olarak bu sergiye davet edilir. Bu ziyareti s\u0131ras\u0131nda M\u00fcd\u00fcr Bey, Vali Bey ve Sanat\u00e7\u0131 aras\u0131nda ge\u00e7en sohbette, bu gen\u00e7 adama yurtd\u0131\u015f\u0131nda kendisini daha \u00e7ok geli\u015ftirmesi i\u00e7in mutlaka bir burs temin edilmesi de konu\u015fulur. Ancak bu istek ger\u00e7ekle\u015fememi\u015f. Vali, sergide yer alan Fatih Sultan Mehmet ve Atat\u00fcrk portlerini \u0130stanbul Vilayeti ad\u0131na sat\u0131n alm\u0131\u015f, okul y\u00f6netimi de \u0130stanbul Resim ve Heykel M\u00fczesi\u2019ne konulmak \u00fczere bir tablosunu sanat\u00e7\u0131dan istemi\u015f. 1965 y\u0131l\u0131nda sanat\u00e7\u0131, yerle\u015fmek \u00fczere Bodrum\u2019a gitmi\u015f ve \u00e7al\u0131\u015fmalar\u0131n\u0131 orada s\u00fcrd\u00fcrm\u00fc\u015f. 1967&#8217;de uzun y\u0131llardan beri ilk defa devlet, gen\u00e7 sanat\u00e7\u0131lara Paris,&nbsp;Berlin, Roma gibi yabanc\u0131 k\u00fclt\u00fcr merkezlerinde e\u011fitimlerine katk\u0131da bulunmas\u0131 amac\u0131yla, 4 y\u0131ll\u0131k bir burs verilmesine karar vermi\u015f ve bu vesileyle \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019nde de bir s\u0131nav a\u00e7\u0131lm\u0131\u015f. Sanat\u00e7\u0131 \u00d6zcan ONUR da bu s\u0131nava girmek istemi\u015f fakat -hi\u00e7bir neden g\u00f6sterilmeden, anayasal haklar\u0131 dahi hi\u00e7e say\u0131larak- s\u0131nava kabul edilmemi\u015f. Bunun \u00fczerine sanat\u00e7\u0131, ayn\u0131 y\u0131l Ankara\u2019da a\u00e7t\u0131\u011f\u0131 2&#8217;inci resim sergisindeki b\u00fct\u00fcn yap\u0131tlar\u0131n\u0131, emek\u00e7ilerin \u00f6rg\u00fct\u00fc olarak bildi\u011fi T\u00fcrkiye \u0130\u015f\u00e7i Partisi\u2019ne ba\u011f\u0131\u015flam\u0131\u015f, f\u0131r\u00e7alar\u0131n\u0131 k\u0131rm\u0131\u015f, s\u00fcnger avc\u0131l\u0131\u011f\u0131 yapmak \u00fczere Afrika\u2019ya gitmi\u015f ve denizcili\u011fe ba\u015flam\u0131\u015f. 1970, 1976 ve 1983&#8217;te Bodrum\u2019da \u201cHeyamola\u201d isimli 3 adet teknesini bizzat kendisi yapm\u0131\u015f ve 25 y\u0131l denizci olarak ya\u015fam\u0131\u015f. Ayr\u0131ca 1975 y\u0131l\u0131nda in\u015fa etti\u011fi \u201cAt\u00f6lye Heyamola\u201d adl\u0131 at\u00f6lyesinde faaliyetlerini s\u00fcrd\u00fcrm\u00fc\u015f ve bu at\u00f6lye y\u0131llarca y\u00f6renin k\u00fclt\u00fcr merkezi olmu\u015f. Neyzen Tevfik\u2019in do\u011fumunun 100&#8217;\u00fcnc\u00fc y\u0131l d\u00f6n\u00fcm\u00fcnde ona ithafen bir resim ve heykel sergisi a\u00e7m\u0131\u015f, at\u00f6lyesinde e\u011fitimler vermi\u015f. Bu mekan\u0131n bir m\u00fczeye d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi i\u00e7in yapt\u0131\u011f\u0131 \u00e7abalarda olmu\u015f ama hi\u00e7bir sonu\u00e7 alamam\u0131\u015f. 1980 y\u0131l\u0131nda \u00f6\u011frencilerin ve sanat\u00e7\u0131lar\u0131n birlikte \u00e7al\u0131\u015fabilece\u011fi, seminerler, konferanslar ve uluslararas\u0131 sanat \u015fenlikleri d\u00fczenleyebilecekleri bir platform \u00f6rg\u00fctler. Aralar\u0131nda M\u00fcmtaz SOYSAL, \u0130lhan BERK, Hilmi YAVUZ, Vedat T\u00dcRKAL\u0130, \u015e\u00fckran ARTUNGAL, G\u00fclriz SURUR\u0130, Filiz OFLUO\u011eLU, F\u00fcreyya, Mina URGAN, \u00dcmit SERDARO\u011eLU gibi 90&#8217;a yak\u0131n ayd\u0131n ve sanat\u00e7\u0131 isimlerle birlikte bir dernek ve vak\u0131f kurma giri\u015fimi ile eylemlerde bulunur. Ama\u00e7 Bodrum\u2019un d\u00fcnya \u00e7ap\u0131nda bir k\u00fclt\u00fcr ve sanat merkezi olmas\u0131n\u0131 sa\u011flamakt\u0131r.&nbsp;(M\u00fcmtaz SOYSAL, 1 A\u011fustos 1980 tarihli Milliyet Gazetesindeki k\u00f6\u015fesinde bu olu\u015fumdan bahseder.) 1970 y\u0131l\u0131ndan bu yana, sibernetik, biyonik, genetik bilimleri ve uzay ara\u015ft\u0131rmalar\u0131yla \u00e7ok tutkulu bir \u015fekilde ilgilenir. T\u00dcB\u0130TAK\u2019\u0131n \u00e7\u0131kard\u0131\u011f\u0131 Bilim ve Teknik Dergisi\u2019nin kapa\u011f\u0131nda g\u00f6rd\u00fc\u011f\u00fc bilgisayarla \u00e7izilmi\u015f bir desen ilgisini \u00e7eker. 14 y\u0131l bu dergiyi hep yan\u0131nda ta\u015f\u0131r. (Bilim ve Teknik Dergisi \/ Say\u0131: 35 \/ 1970 \u201cKomp\u00fcter ve Sanat\u201d) Bir manifesto ile \u201cElektropent\u00fcr\u201d kavram\u0131n\u0131 ortaya koyarak, \u201c\u00dcretimde, Y\u00f6netimde ve E\u011fitimde her ge\u00e7en g\u00fcn biraz daha komp\u00fcterize olan bir d\u00fcnyada resim sanat\u0131n\u0131n da bu b\u00fcy\u00fck potansiyelden yararlanmas\u0131 ka\u00e7\u0131n\u0131lmazd\u0131r\u201d der.&nbsp;(Bak\u0131\u015f, Bilgisayar Teknoloji Dergisi, 1986, Say\u0131: 3) Estetik ama\u00e7lar\u0131n \u00f6tesinde 3 hedefinin daha oldu\u011funu belirterek bunlar\u0131 \u015f\u00f6yle s\u0131ralar: Komp\u00fcteri geleneksel ara\u00e7 ve gere\u00e7ler kadar rahatl\u0131kla ve tam bir \u00f6zg\u00fcrl\u00fck i\u00e7inde kullanabilmek. \u201cPent\u00fcr\u201d sanat\u0131nda yap\u0131lan \u00fcretimi end\u00fcstriyalize etmek. Pent\u00fcr yarat\u0131c\u0131l\u0131\u011f\u0131 ile sa\u011flanan estetik de\u011ferleri demokratize etmek.(Yani de\u011ferlerin varl\u0131kl\u0131 z\u00fcmreler d\u0131\u015f\u0131nda kalan insanlar taraf\u0131ndan da kolayl\u0131kla elde edilmesini ger\u00e7ekle\u015ftirmek.) Sanat\u00e7\u0131 bu bildirisinde ayr\u0131ca bir \u00f6ng\u00f6r\u00fcde de bulunur ve \u015f\u00f6yle der: \u201cYak\u0131n bir gelecekte resim sanat\u0131n\u0131n geli\u015fimi, ona edebiyat ve m\u00fcziktekine benzer bir boyut verecektir. D\u00fcnyan\u0131n en \u00fcnl\u00fc ressamlar\u0131n\u0131n elektronik yap\u0131tlar\u0131, ger\u00e7ek de\u011ferlerinden ( \u00f6zg\u00fcnl\u00fcklerinden) hi\u00e7bir \u015fey yitirmeden b\u00fct\u00fcn d\u00fcnyaya yay\u0131lacaklard\u0131r.\u201d Bunu; herkese ekmek, herkese su, herkese ila\u00e7, herkese kitap gibi \u201cHerkese resim\u201d slogan\u0131yla dillendirir. \u201cAsl\u0131nda b\u00fct\u00fcn yarat\u0131c\u0131 sanat\u00e7\u0131lar gibi ressamlar da,&nbsp;\u00e7ok \u00f6zel durumlar d\u0131\u015f\u0131nda, yap\u0131tlar\u0131n\u0131 tek bir ki\u015fi i\u00e7in olu\u015fturmazlar. Yine b\u00fct\u00fcn sanat\u00e7\u0131lar gibi, ger\u00e7ek ressama y\u00f6n veren en g\u00fc\u00e7l\u00fc etkenler, bir nesnenin, bir olay\u0131n derinli\u011finde yatan ger\u00e7ekleri yakalamak heyecan\u0131 yan\u0131nda, onu bir denge ve uyum i\u00e7inde \u00f6zg\u00fcn bir bi\u00e7imde dile getirmek ve ona en yayg\u0131n \u015fekilde toplumsal bir boyut kazand\u0131rmakt\u0131r. \u015eiirin de, senfoninin de, roman\u0131n da, dans\u0131n vesairenin de ortak noktas\u0131 budur. \u0130nsanlar Mozart\u2019\u0131n bir kon\u00e7ertosuna, Hayyam\u2019\u0131n bir d\u00f6rtl\u00fc\u011f\u00fcne tek ba\u015f\u0131na sahip olmay\u0131 istemeyecek kadar ak\u0131ll\u0131d\u0131rlar. Fakat konu bir ressam\u0131n tablosu olunca, durum de\u011fi\u015fir. \u00d6zellikle son bir ka\u00e7 asr\u0131n kal\u0131nt\u0131s\u0131, bireyci g\u00f6r\u00fc\u015f ve m\u00fclkiyet anlay\u0131\u015f\u0131 birden beliriverir. \u201cYaln\u0131z benim\u201d , \u201cBana ait\u201d gibi bir yanl\u0131\u015fa d\u00fc\u015f\u00fcl\u00fcr.\u201d Sen kimsin? Bu hakk\u0131 nereden buluyorsun? sorusunun yan\u0131t\u0131 genellikle iki noktada d\u00fc\u011f\u00fcmlenir. Bunlar\u0131n birincisi \u201csat\u0131n alma\u201d, ikincisi de yap\u0131t\u0131n \u201ctek olma\u201d<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-66","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/pages\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":70,"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/pages\/66\/revisions"}],"predecessor-version":[{"id":777,"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/pages\/66\/revisions\/777"}],"wp:attachment":[{"href":"https:\/\/captainheyamola.com\/index.php\/wp-json\/wp\/v2\/media?parent=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}